Approaching Writing with Dr Anna Beer

My goal was to create sessions in which you can explore and develop, sometimes playfully, your creative writing practice. Each session offers a blend of practical exercises and insights from my own experience as an author and writing mentor. Each session has a different focus, and can be used in isolation or in sequence depending on your needs, but they are all designed to help you discover, consolidate and indeed celebrate your unique strengths as a writer.

Life-writing is central, but almost all the sessions will be valuable to anyone working on creating a compelling narrative. Along the way, you will not only reflect on your own writing, but also the techniques of a range of leading fiction and non-fiction authors, past and present. You will, of course, be encouraged to bring your insights into their practice into your own work in progress. Implicitly throughout, and explicitly at the end of the final episode, I hope to challenge the self-doubt we all experience, and which often gets in the way of achieving our writing goals. I hope there is something here for everyone, at whatever stage you are in your writing journey.

YOU WILL NEED TO DOWNLOAD THE COURSE NOTES INFORMATION PDF TO ACCOMPANY THE SESSIONS.

Anna Beer
I am the author of a number of biographies, some about people you’ll know (John Milton, Sir Walter Ralegh and William Shakespeare) and others about people you may not know - yet. I’m really proud of my feisty, feminist and accessible accounts of female creatives, including my most influential book, 'Sounds and Sweet Airs: The Forgotten Women of Classical Music' (2016) and, more recently, 'Eve Bites Back: An Alternative History of English Literature' (2022). My next book, coming out in April 2025, marks a radical new direction for my writing. There will be more information, when I can share it, on my website: Anna Beer | Author (www.annabeerauthor.com)

A long-time Oxford resident, I've held various posts at the University including Director of the Creative Writing MSt, and remain a Visiting Fellow at Kellogg College. I now concentrate, however, on working as a writing mentor.

Oxford may be home, but I'm a traveller at heart – whether on night trains, slow boats, on foot or inside a sturdy vehicle complete with roof tent. When I can, I grab my notebooks and laptop and get the words down while discovering new parts of the world.

  • Anna Beer 1: Focus

    33m

    A chance to explore creatively the many and various ways in which you might want to shape your narrative. Above all, this session offers you a chance to think, hard, about what your work in progress is really about. You may be surprised.

  • Anna Beer 2: Voice

    33m

    Beginning by reading, closely, the work of two powerful novelists, you will be encouraged to play with your prose: bringing peripheral moments or characters centre stage; celebrating (or culling) adjectives; and exploring the myriad of perspectives and voices you could perhaps use to tell your st...

  • Anna Beer 3: Sources

    33m

    How can we bring, most powerfully, our ‘sources’ (and I include lived experience as a source) into our life-writing? You will explore the different ways you could use letters, artefacts, and the work/words of others to give authority and energy to your narrative. I talk about the complex question...

  • Anna Beer 4: Silence

    34m

    Silences take many forms. Perhaps there’s something crucial missing from, or barely glimpses, in your sources. What can we do with these silences in the archive? This session celebrates the narrative power that can be gained by actively recognising lacunae and absences, censorship and neglect. Th...

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